Friday, June 28, 2013

Tamara Gverdtsiteli sang Albinoni and Bizet

24th Tamara June Gverdtsiteli full house gathered at the House of Music, performing not only popular songs, but also works by Bizet, Rachmaninoff, Massenet, Kancheli, Albinoni. Actually, it was not a concert in the usual sense of the word, and she called his name Gverdtsiteli man show "... And God Created Woman". After a string prelude played jazz band "Phonograph" Tamara has appeared on stage, dressed in red, and sat down at the piano. "Tribute to a Woman" on the poetry of Marina Tsvetaeva - specialty Gverdtsiteli at concerts, but now her behind only three bands. In addition to his own band, this evening they join the orchestra "Phonograph" show is familiar to television viewers, "Star" and the vocal quintet "Suliko". The sound is tight, slightly pridzhazovannoe but on a classical basis. Yes. With cellist Borislav Strulevym, the creative wonder on his instrument At the beginning of the concert hall to hear the excess Gverdtsiteli vocals, but the sound is better. Orchestral interpretations by a wonderful voice Gverdtsiteli Tamara did not nothing to stop this evening. Unfortunately, there is only on the completeness of the color drum sound - Svetlanov Hall Music House is clearly not in line with the jazz drum. But the piano sounds really luxurious - up final menacing chords, octaves and shimmering down, just fill the whole room. Orchestral interpretations of Tamara Gverdtsiteli led great voice not in the evening nothing between songs Tamara Gverdtsiteli not talking about themselves or about the songs, but reading poetry interfere. Many poems. Solo performance of songs and poems - so you can be as this evening. Among the poetic lines ringing acoustic guitar smashing - passionate flamenco support Struleva cello, and marked a smooth transition to Bizet. The party's "Carmen," which she sang in the Dnepropetrovsk Opera and Ballet Theatre - to gypsy songs. "Hop hop hop" - fervently encourages viewers Gverdtsiteli. And only non-stop begins to sing the famous Gypsy "trickle." Potpourri number of complete opera performance of "Man of La Mancha," which plays in a duo in Gverdtsiteli Zeldin Dulcinea. We should also tell of a brilliant game Borislav Struleva. This is the case when the device is of a musician who played as a poet. His cello with ease from the powerful rock 'n' roll to flit icing stretched lyrical intonations, improvise with the trumpet, and never for a moment loses bright melodic base (which is typical, unfortunately, the members of the jazz school). Completion of the first block of memory one-man song by Edith Piaf. Non, Je ne regrette rien now sung by Tamara initially peaceful, blissful, satisfied. Explosion Orchestra - and more happiness in the voice of the singer. Encode it goes up - and it is the apotheosis of world harmony. The current Gverdtsiteli rejects blame imperfection in this world. Very unusual interpretation. The current Gverdtsiteli refuses to blame this world of imperfection in the second block are debt Jews and Georgian people, native to the singer. Sounds orchestral improvisation on the theme of Jewish folklore goes Gverdtsiteli all in black. Reads a heartfelt verse Riva Balyasnaya "You died, but you're not dead," and sings "Aidyshe Mama" and "Oh, the old people." Then sits down at the piano, and sound "Schindler's List" and kanchelevskaya "Butterfly". Meanwhile, the vocal group to come to the singer, the movement and the Georgian song begins with a flawless a cappella. Sounds unknown referees Georgian songs, and this is a really exciting moment, so clean them stacked polyphony and cheerful these melodies. Completed the second block of the same hit song "Mama Eyes" which she once said Tamara. "This is not a Jewish song, but felt Jewish melody sounds in it turns out, it is as if by themselves you know why each? times when I sing this song, I like the look in the eyes of my beloved mother and I pray to God for their immortality. "A large number of flowers lies on the feet Tamara, a bouquet of felt lining Barshchevsky Michael and his wife. The third block is devoted to songs about love and begins executing Strulevym "Meditation" from Massenet's opera "Thais". Tamara appears in white. And it sounds like a great passion "Dedication daughter" to the verses of the same Tsvetaeva, suspiciously similar to the degree of mixing on the Pugachev tune of "When I'm gone," the same Tsvetaeva. Tamara appears all in white, finally, the most dramatic part of the concert. At the largest organ on the number of registers in Europe Tamara Gverdtsiteli leads "Adagio in G Minor for Organ and Strings" Tomaso Albinoni. Majestic melancholy melody in expressive vibrato Gverdtsiteli maternal tenderness and comfort. The concert ended unchanged "Eternal Love" orchestrated, so that it looked like a soundtrack to the old Soviet cinema. Not surprisingly, the addition Gverdtsiteli all went to the same movie, and she sang legranovskuyu theme from the film "The Umbrellas of Cherbourg", which the orchestra playing at the code in the top "Moscow Nights". Victory in the television show "Star" obviously added Gverdtsiteli mass popularity, but not withdraw loyal fans of pure art. And Tamriko is to sing for everyone such a program. There are make for each such exquisite solo performances. Impeccable taste, elegant restraint, incredible vocals. Vadim Ponomarev, NEWSmusic.ru photo Svetlana Maltsev, Photo Star

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