Peter Mamonov and alienation. Musical experience and clearances

Peter N. Mamonov - a unique figure in Russian rock. Showman and tragic poet simultaneously. Man, sidelets opening new horizons in rock music, and a modest village. For a concert at the "Orange" Peter Mamonov selected songs from his two albums "greens" and "mouse". All these numbers Mamonov already played in the spring in Moscow Art Theatre, but. With a support group in the face of the actor and mime This time, Peter N. on the stage. And the action of course, a one-man show. In the opera genre is similar to the concept of "live performance." Dancefloor "Orange" has a sedentary orchestra: the audience sat on the floor. Because performance. The performance of an actor. Peter N. sets in each of his joke that the same percentage of jokes that raises questions about the hidden meanings. Ironic images mocked, and grief over any clear manifestation of personality lyrical. Peter Mamonov resigned the role of the all-Russian rock fool, and wade into this most foolish shades of blood and torn flesh from the bones. He stoically holds MAT break, and at some point the public understands that the break and foolishly wide-eyed actor to another, which has escaped the attention of the nuance. And he starts to applaud at. And not Mamonov emphasizes applause, not "waiting room" until the end of the claps, but then you change the style and temporitm. He does all his hidden gags cold and calculating. Rehearsed every look every breath is clearly positioned chances microphone. On the other hand allows Mamonov a self-irony, that you forget about the actual nature of theatrical songs. In those moments, you know where to have the confessional drama Grishkovtsa. From here, from here it came from. Mamonov defies his age, mocks his village existentialism: "The whole night awake, and sometimes can not sleep ... then sleep, and then do not sleep," say Peter Mamonov something. He zhogliruet easily musical genres and literary quotations. And easier for non zhoglirovaniya own sake, as it is in some people, but for a country-style idea. And in every song - his own idea. He spent the entire concert mime minus 1 The whole concert - as a solo performance. Something good out of the "green" play he did not, and all rights. Dichotomy between eating the food itself Petit and totally absurd artist Mamonov ziyayusche so, so much, is perceived as a counter. Mamoninga chip. But seriously ... It is necessary to deal. In the theater of such a gap is as alienation. Bertolt Brecht generously gave his drama of such methods. Mamonov takes as receiving alienation, but as lyrical - he, his real life. Thoughtfully-dirty-guitar drive in a phonogram, essentially only the equivalent of clucking chickens or rhythmic grunt boar. - Thank you! Thank you, my dear! Screaming jump from last curtain Mamonov from the scene -. Enough flowers, splashing saliva applaud sends kisses and leaves. The concert is over, and life has just begun. What kind of music would not serve the musical accompaniment for the game on Dostoevsky, for example? By digging into the Russian soul, the free time is lyrical Mamonov. He's good, and something compels the soul. And while he does not understand that it does get in my heart, he calms down. But know that you do not understand this will never ... Vadim Ponomarev, Sergei Shub, NEWSmusic.ru