The new album was recorded composers Tolibkhon Shahidi London Symphony Orchestra under Valery Gergiev published. "... There is a great desire to play works by living composers - I was naturally very excited about this collaboration with Tolib Shahidi And the next step - to play .. A couple of gigs in the works for a live audience Tajiks large old culture Tajiks and Ossetians linked by common. roots in the distant past. Tolib Shahidi why music ... close to me, and probably not in the least because I have some thoughts on the history and culture of the ancient people " Valery Gergiev. ... "Violent and beautiful world" music Shahidi full breath of the elements, and the composer is the only kind of unwitting transmitters of high energy that poured into the universe. Unlike a quiet author, music Shahidi, the conversion of this energy come literally with the indomitable force of the avalanche impulsivity irregular rhythms, stun uterine roar from some primeval sounds found on the range of the traditional orchestra and instantly fascinated ringing silence mountain peaks, monotonous chatter streaming configurations hypnotized stupor rest. It is a world that was up to the individual and, after him. That is, I like the ecstatic climax of the symphonic poem "Sado" seen. "Time - somewhat unusually long" - a melancholy poet said. Individual time faster. It will run in a faster and shrinks the shagreen philosophical novel Balzac. Music Shahidi saves time. This "Taking time" old, stained with blood, the Iranian legends, subjective time, western and eastern poet, troubled times of tragedies, swirl, do not talk during the festivals and excruciatingly painful moments alone to reflect on impermanence and futility of existence, hypnotic -dimensional, infinite trailing front stop while old caravan and a moment of meditation. Boris Borodin, Doctor of Arts, Professor Yekaterinburg conservatory. Tolibkhon Shahidi and Valery Gergiev Clarinet Concerto Tolibkhon Shahidi gives me a special feeling. A few years ago, for the first time touched the composer's music, I realized that I have to do with something totally unique, inimitable. So I made myself to try to convince Tolibkhon write a concerto for clarinet and orchestra. To my delight, he agreed and got incredibly eastern saga in which emotions are brought to the extreme limits - the highest tender and anxious contrasts with unbridled passion and strength. Music Tolibkhon occurs in a particular state as performer and audience, requires a lot of emotional stress. For me it was a great joy to the music of the famous Mariinsky Theatre Orchestra under write the greatest conductors of our time, Valery Gergiev. Igor Fedorov, Igor Fedorov - one of the greatest musicians of our time. My meeting with him was a real find! This is an excellent professional and glubokomyslyaschy people whose setting close and very clear to me. Honestly, if not for Igor, I would never have written a concerto for clarinet and orchestra. To him I dedicate this essay in which he was and is a co-author of my heart! Tolibkhon Shahidi "... That's all you sincerely to be in the art of the flame and hold your line." - That Shahidi Now all kinds of substitutes, and he wrote this music. Life - it's a miracle, a miracle does not prohibit. Long live the amplitude, then falls, then fly ... "Andrew Eshpai, People's Artist of the USSR State prize winner, a professor at the Moscow Conservatory, composer." Music Tolib always beautiful, bright, and it is the heart of the East and the ancient nation of Tajiks. But this is music with features of all people on Earth. This makes it, I think, to understand and love everyone, no matter where he belonged, where he. Not lived race, which he did not do "Roman Ledenyov People's Artist of Russia, laureate of the State Prize, professor at the Moscow Conservatory, composer. This album is intended primarily for fans of symphonic and academic ballet music that builds on the melody and intonation Eastern folklore. Today, these works often heard. especially in the orchestra are the best among the ten in the world -. the London Symphony Orchestra and the Symphony Orchestra of the Mariinsky Theatre Conductor - Valery Gergiev. Connoisseurs of music, I think, in expectation of enjoyment. However, if the global success of our brilliant conductor and a man of peace written dozens of articles, the artistic heights remarkable creative genius Tajik composer does not know everything. Music T. Shahidi extremely "informative" and festive. Is the East in all its fiery glory and spiritual paradoxes. Sergei neighbors, music critic. MUSIC celestial sphere. Author of the review - academics, PhD, associate professor at the HSE Malika Khamrakulov. 29th March 2012. Recently gave my young friend, knowing my weakness of the symphonic and the love of Tajik music, mysterious smile, me a slice. "This is something that you like," - he said confidently. And I am pleased to confirm that he was right. Unfortunately, because of my work I was able to listen to the disc once that run in a "round table", then the lecture, on the radio too late then to his grandson, who - alas! - I see fits and starts, then a session on the organization and implementation of a city-wide holiday Nowruz, one of the initiators of which I am. And then it happened, that was like, lined with a high temperature. How else to soothe your soul and the cruel treatment of the common cold, but the music? She is always in the most difficult moments saved me compatibility with the harsh realities keep my faith in the people and the love of neighbor, I am feeding my natural optimism, sometimes impatient fiasco under the blows of life .... So I inserted the disk into the drive as long as desired, waiting their turn. And for a moment I forgot where I. (And not just because of the heat!) War A few days on a number that I heard the sound of music from which was cut for a long time. Known: Moscow life reminds steeplechase, not ever leave, time for leisure, for aesthetic pleasure to enjoy her job. And now ... I hear and thinking, thinking and re-performed to the sound of music by the London Symphony Orchestra and the Orchestra of the Mariinsky Theatre to hear. Virtuoso Performance, which is not surprising: both, and other unique orchestral conducting maestro Valery Gergiev. Sound symphonic works amazing Tajik composers Tolib Shahidi. The music is playing, and I feel that Shahidi - my spiritual kinship, not only tribesman, for my soul vibrates to the sound of his heavenly born talent. Me the sad, anxious, joyful heart, the tears are ready to spray from his eyes ... What touched me? Here's symphonic poem "Sado" ("Voice"). In this music, I come out of the column, was the voice of the centuries: the sounds of an old battle running cavalry battle, rattle fractional one thousand hooves crossed rattling in a deadly battle of swords, battle and dying groans of the wounded, victorious warriors loud cry ... And suddenly cut off - the soul dies of sudden danger fraught silence, listening carefully, the party struggle ... And just as suddenly, through the roar and rumble of shock tube quiet lyrical melody replaced comes a brand from the depths of a gentle trembling soul plucked, just listen to the silence of her and seemed not expect miracles. It manifests itself subtly soul, overflowing with tenderness, love and memories somewhere abandoned beyond endless steppes, with high mountains, remote house waiting - beloved nedozhdetsya his warrior woman bent over the cradle of the infant, elderly mother, crying her eyes all waiting for his favorite son ... Music Shahidi undoubtedly connected by invisible bonds with all the culture of their ancestors, it is soaked through. Moreover, it has grown out of it. Although some miracle it is organic with European symphonic academic tradition that came to the Tajiks not so long ago linked. It remains a mystery as to combine the Tajik composer manages seemingly incompatible - European musical plastic with the style purely Tajik folk music with its characteristic high emotional intensity, with its sometimes tear soul content with echoes of Tajik folk melodies with classical traditions permeated "Shashmaqom "and the national epic (yes, for me, of course, the presence of the Spirit!" Shahnameh "in this work Shahidi). This is music that the pulse of the stresses of modern life and colors of the world for a long time have not, the memories of them live in the genes of the representative of the people who created one of the most unique ancient civilizations, a strong positive effect on the formation and development of the cultures of many neighboring nations feel. Epic framework of the symphonic poem "Sado" replace the dramatic, the lyrical soft melodies of the ballet "The death of the usurer" immediately recalling the classic story S.Ayni. Ceremoniously raised the tone of the ballet "Siyavush" (on the hard drive "Dancing Boys" from the ballet) and "Procession Men" (from the ballet "Khayyam the Rubaiyat"), the disturbing sounds of battle, fraught with tragedy (the " Black War "), side by side with the light, transparent melody reminds sonorous tone marbles in a mountain river with clear water (" Variation Sitora "from the ballet" The Rubaiyat Khayyam "). The sounds of a mountain avalanche, landslide (symphonic picture "Darius") are replaced by the solemn melody of the march, the life-affirming, thoroughly stitched soft lyrical melodies in the national spirit. An article about the work of Shahidi Tolib I was surprised to read how a little embarrassed me, words in which it seemed to me do not talk very thorough understanding of the topic, we, "... it (Tolibkhon Shahidi) can not style with modern European standards are equated to be as a musician from the East ... Shahidi not try to be civilized "savages" and "barbarians", effectively complement the wake of modern world music. "What sounds like a condescending superiority in these words, we see the author as a reference, there is only one civilization -. European, which defines the nature of the "standards" of what should be or not eastern composer to be in my uneducated opinion Composer (lyuboy!) have music lovers just a waiting period - a professional be no one else, like ". standards" with its own unique voice, and does not (and it's better not to fit!) kind of made-up Tolib Shahidi, is thank God, talented, unconventional composer combined seamlessly into his work with the European Academic Symphony difficult classical Iranian-Tajik music annoyed with roots in antiquity. In this bizarre combination and is perhaps the most unique feature of a remarkable style of symphonic works deeply Tajik national, and therefore different and representative of the people of any other composer Tolibkhon Shahidi. Tracklisting: 1 SADO - tone poem Death moneylenders. Fragments from the ballet second Corey lenders variant 3 Adagio fourth Adagio duo 5th Queen of money and death Corey Siyavush. Fragment from the ballet 6th Dancing boys Rubaie Khayyam. Fragments from the ballet 7th Procession of Nobles 8th Variation Sitora 9th Black Warriors Mariinsky Orchestra under Valery Gergiev conducted the 10th Concerto for Clarinet and Orchestra. Soloist - Igor Fedorov 11th DARIUS - Symphony 12 Ceremonial march Shakhidi & Sons © 2012 JSC Produces "Empire of Music." Sales: "Firm melody." Sounds Vladimir Ryabenko. Assistant Sound Engineer: Yegorov and Fyodor Naumov (Concert Hall of the Mariinsky Theatre and Mariinsky Theatre Orchestra, March 2011). London Symphony Orchestra to record sound engineers - Jonathan Stokes & Neil Hutchinson (Company "Classic Sound", August 2010). Mastering - Studio Vladimir Osa (Moscow). Special thanks for the support and great friendship, deputy general director of the Mariinsky Theatre Misikov Fatima. Listen Tolibkhon Shahid - "Sado". Symphonic Poem. Conductor - Valery Gergiev
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