Nicholas Oorzhak Alissid + Jazz = shamanic jazz

Alissid perform jazz and hereditary Tuvan shaman Nikolai Oorzhak in a joint concert with the CHA. Live exquisite harmony and spontaneous emotional improvisation - the card team Alissid jazz. Nicholas Oorzhak - famous hereditary Tuvan shaman, master of throat singing style khoomei. Mystery of nature sounds in the overtone throat singing, intuitive improvisation, based on modern rhythms and mixed ethnic roots with acid jazz - fusion is unforgettable show fans can expect from ethnic and avant-garde in the Central House of Artists, 21 January 2006. "Throat singing imitates animal sounds and consonants created universe To me this sounds -. The rhythms of the whole", - says Nikolay Oorzhak. - "Khoomei, a holistic approach is superior to man There are no tricks or illusions, and has the power of the whole sound.." Tuvan throat singing - a unique art form that is characteristic of only a few nations of the Sayano-Altai region and is located on extraction of simultaneously executing two or more notes, which is based thus a polyphonic solo. Tuvan tradition of melodic solo vocals - the result of guttural singing is based on unconditional love and special relationship with nature, so that the aesthetic onomatopoeia shamanic singing voices of the animals, imitation of sounds of the forest animals and the environment. Alissid Jazz music is a vivid example of the progressive intellectual life of ethnic and smooth jazz. The principle of making music that makes this unique project - a live spontaneous improvisation, full of emotions, psychedelic and deep meaning. Sound experiments, images, music Alissid jazz, ethnic and contemporary rhythms (drum'n'base IDM, breakbeat, jungle, new jazz) describe how the project Alissid fusion jazz. The distinctive taste and rhythm of the music is jazz ideological Alissid didgeridoo part - one of the oldest musical instruments in the world. According to legend, Aboriginal didgeridoo from Australia with the knowledge of nature and the world of dreams. Didgeridoo their sound transmits the sounds of nature: learning from childhood natives, listen to the sound of the wind, the grass in the wind, lightning crackling trees, splashing water, the sounds of animals. If the country was to sound, this was a sound, the sound of a didgeridoo - so say about this tool. "I think that research in music - from the destruction of the famous European ear and diatonic jazz harmonization completed research states: mentally, emotionally and physically, as in listening to the player and build their laws, but I try not unnecessarily perception. make music I'm just a mirror to see everything, which is reflected, and feel ", -. said Alexander Alekhine Aliss, founder, composer and jazz Alissid ideologues. A key principle of making music together Alissid jazz and Nicholas Oorzhak - a union of consciousness with the invisible energy lines laws of nature. Thus, "musical gourmets", visit the CHA Concert Hall 21st January 2006.