High-style art festival on 27 August in the garden of "Hermitage" instead. Proper selection of artists - Nino Katamadze "Pakava It," "Children of Picasso," "security Magic" and of course the headliner Tony Allen Perfect organization of time and space very European festivals in the form and content of deep esthetic -.., The festival that be placed at the weekend. Two sites were the best ethno-jazz groups of the country, and the third recited poems poet melodeklamatory. Imagine poet himself, we also focus on the musical aspect of the holiday. The festival was opened on the stage " circle "passionate" Tress Muchaches e Companieros "Latin Mix plays with exaggerated, given the browser fervor. Exceeded technical skills most musicians. Meanwhile gathered around the main stage of the campaign, men with a variety of percussion instruments armed. addition is a substantial pile of maracas just lay on the floor, and the musicians offered perk them to anyone looking to take to join in the future ugliness. Soon to score at least two dozen such willing and drum jam began. And drummers under the swinging Latin rhythms can as a famous drummer Andrew Roman and some journalists and publishers are seen. Joint Jam Session took a long time, and could not indefinitely go to exhaustion of all be able to keep the garden maracas in hand when for measuring the progress of the festival. In another scene before his speech began meditative world-jazz "Safety Magic '." Safety Magic »solid niche in recent years the most ingenious projects worldwide domestic new jazz scene established. We see them on the "Ethnic Life" and the "Sayan Ring", the Scythians and the jazz festival in Arkhangelsk. Obviously Dan Lerman and his close team was successful hit empty on a niche before. Mixture of Indian motifs, jazz improvisation and rock and psychedelia was very marketable. General courses, solo bass, and again common spaces, 48 bars meditate beautiful violin Nazar Amanov and then "King krimsonovsky" powerful group drive ... Ubiquitous Romanesque on drums, as always spotless. "Safety Magic" played a few things from their first and only album, and showed a few new songs to the applause applause experienced audience. Avant-garde noise was presented to the project on a saw Vyatkina Sergei and Oleg Svetlov and replaced the guitar on the processor. The project is called, respectively, the "Saw". The case, there is no need for additional values in the title search. Play looked really connected to the pickup. The reception is not new, but effective enough. The first five minutes. Then you need to beat or playing technique, or a melody. Neither the first nor the second of the musicians was not, so they built their songs on Orientation Meeting. As a piece of orange on a cocktail - very fresh and fragrant. But the audience waited course Nino Katamadze. Nino with exceptional ease Moscow won a year ago. And now her every visit to the capital of the trembling knees, fans elegant ethno-jazz. Deep mezzo Ajarian singer might foolishly her voice and emotional openness fall in love with the first few bars. Especially as the star couple Nino was a brilliant saxophonist Anatoly Gerasimov, who took this time in the hands of a flute. Nino Katamadze at a large gathering of people singing almost the entire range of his latest album, "Ordinary Day", not to mention the excellent version of the standard "Suliko" please. Nino Katamadze hear little, we need to see them on stage. She pulls sing it barefoot, far back and making specific hand gestures. Artistry singer exceeds all reasonable limits. Meanwhile, on the big stage of the program started "Children of Picasso." Gayane are trained to sing along with the audience, and soon directed skillfully chanted loudly Armenian couplets "No-Na-Rae" by the public. The Ethno-Jazz Festival was very relevant Armenian program "Children of Picasso", which does not require diluting traditional rock songs from "out of our radio." Armenian culture and powerful melodic rock psychedelic basis, since the two terms of the original sound of the incarnation "Children of Picasso." The venerable art project "Pakava It" always successfully performed at festivals of its kind. And not only in Moscow but also in Europe, where "Pakava It" - always welcome new bohemian jazz festivals. The difference is often in the presence or absence of a drum kit. But the drive and momentum dimensionless groovy horn section "Pakavy It" can not be confused with someone with the Japanese often somewhat in our capital city, "Shibusashirazu". "Markscheider art" certainly played a program of his famous hits (not overexposed "I have no money). Most support the crowded area in front of the main stage, of course, the unforgettable "Zuma, Zuma" was. The words "Zuma Zuma - the big man," sung by the choir and happy smiles on their faces. What about ... "Jamaica" in a super-extended QED say. But all of these actions were a prelude to the main event, the first appearance in Russia of the legendary Nigerian Tony Allen. Creator of the Afro-Beat forced to wait in before the presentation of the singers and then for their drums turned. It turned out that Tony Allen, gray black intimidating appearance, almost always sitting behind his drums and singing into a microphone in combination. He sings ... Now you can also forgive Tony Allen this little weakness - singing. Because ensemble Tony Allen - perfect mechanism for obtaining pure Afro-Beat. Years dosed mix of funk, African highlife and decent American jazz and soul can impress the most uncompromising critic. Nothing to complain about at all. The man reached record only two tracks, knows a lot about jazz. Nosy amazing bass, percussion sensitive, traditional brass and what Tony Allen had no confidence - drums. Which plays a veteran Nigerian unimaginable breaks through polyrhythmic structure, and gently stroked occasionally brush plates. The last measure of the garden "Hermitage" exploded and fire blossomed petals fireworks. Able to hear, that night was really a holiday. Vadim Ponomarev, NEWSmusic.ru Photo - Alex Rodin, rayrodin.ru and author.
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