The festival "Kyzyl-Moscow-2005". Two evenings of Central Asian music, art, especially the throat singing, gave food for thought. Genre of throat singing may not be too long ago to do amazing things with musicians from the small nations of Central Asia itself. Archaic technique of singing that allows multiple simultaneous melodic lines, so by the enlightened world public cultural centers suggested that Tuvan artists the world has known. They are few, but they are. Sainkho Namchylak "Huun-Huur-Tu", "ha", Nikolai Oorzhak ... Festival "Kyzyl-Moscow-2005" should show the Muscovites are not as well-known characters. Maybe open up new names. Maybe add a root color in this kind of ethnic mix tape standards. Experiments "Huun-Huur-Tu" with the electronics of interest for fans of Peter Gabriel's label. However, sophomores branch of folk instruments Kyzyl Arts College who studies species of native Tuvan throat singing and instruments - listening quietly wanted. Successful part of the festival, his hunger for authenticity be fair if we understand the level of familiarity with the professional Tuvan scene. Good analogy with a concert of Russian folk singers in the Hall of Columns. Sense of direction to get their sources, and a number of costumes for musical instruments, and bitter weeping grandmother in Kostroma village as it is - you will not hear. So there. The only exception was the total number of ethnographic Cheynesh Baytushkina professing technology female Altai throat singing kai. Psychedelic pattern depth of sound entirely surprising. On the shape of this beautiful little girl Several image spoiled pretentious poetry. However, it turned the short 10 minute speech Cheynesh that Kai is a powerful charge of metaphysics and deep power of the Spirit. A Cheynesh Baytushkina - worthy successor in the tradition of "Kaichi" storyteller. The first day of the festival, the cultural center of the place, "House" was. Prior to the "house" was a real museum nomadic yurts, and inside were the meals prepared and treated exotic Buriat and Tibetan dishes. Which again highlighted the syncretism of the situation. Representatives of the Dalai Lama XIV, sent Mr. Tashi personal greetings from His Holiness and said, in a spirit that unite us all such festivals. The festival was opened by Eric Saryglar. He was responsible ownership of several styles khoomei, but the most memorable virtuoso voice volume control feeding. In his performance khoomei played by these dramatic colors. Change in voice pitch and loudness Eric used a bright emotional reception, which is especially important in an epic story that Eric Saryglar tends. Student Group "Salgal" has become the axis of the festival. She spoke several times on both days of the festival, and each time received applause from the fans of throat singing. Students Andrew Mongush ("Huun-Huur-Tu") take youth, energy and bryzzhuschim humor. Her coronation number - ditty. They have a very good knowledge of the basic styles khoomei - Kargyraa, Sygyt, khoomei, Borbalo ezengi. School of Music gave them a school play almost all Tuvan folk instruments - LIH, doshpuluur, byzanchi kengerge, homuz, chatagan. They love and know how to sing folk songs. Artistic charm immediately following contact with the audience. One can only be really happy for future careers these young guys are. They sing this song with such fervor that immediately delete a raid academic perhaps khoomei. Some songs slips almost march. And some are found in the performance of "Salgala" radical intimacy Tuvan folk and blues-rock guitar. Even Sun And do not forget how clever they zvukopodrazhayut. Neighing of horses, the clatter of hooves, birds singing - passed easily as breathing. And looks great skills. Ayan-ool Sam liked virtuoso linger glissando. In conjunction with the viscous style suspenders strings on the instrument, the singer collapsed Hall in transparent light trance. Ayan-ool Sam sings a vocalize 3.2 minutes without breathing. It focuses on the proportion of the second vibrating ground and turns melodic whistling solo tip in the upper register. Sometimes it seems that it is impossible to sing is. Ayan-ool sly glances in the hall, but adds: "And now I want to run very wistful melody ..." At the end of the first day of the Ayan-ool Samu "Salgal" Arat and Ak-ool (also festival director George Bielecki) joined. Began to sing, all in order. Than it. To Bielecki, and he sang in the Tuvan language, hall, half of the students Tuvan slapped together very appreciative Obviously pleased the debate. And he sang it really worth it. The second day of the festival was in the theater "School of Dramatic Art 'n / p Vasiliev instead. Sergey began his Ondar, lead singer of "Ene-word." He showed a short number with a rare type of style Kargyraa. Low hissing literally vibrates under the arches of the avant-garde theater. Then again in the evening continued tireless "Salgal", and appeared on the stage group "Namgar." You probably should not talk in detail about the "Namgar" because for a long time Namgar lives and sings in Moscow. What is important is the fact that some of the eccentric singer has Buryats impetus to the understanding of where to go oriental music is placed in the city. And Namgar Lhasaranova and beauty of Uranus (Dzhamiyana Urantugs) sing in neodzhazovom style, and add significantly to sound more yatagi electronic sound. Another experiment in cross-pollination of European culture presents an unexpected duet with cellist Alexander Ermakov, the winner of the third contest of PI Tchaikovsky. It seems to play in conjunction with the traditional way the cello, reduces noise Morin Huur of an ethnic coloration chamber ensemble passages. However, the experiment is interesting, how exactly can a cello and its ancient progenitor of the Central Asian steppes sound. Victor Zhalsanov Buryatia play has significant international experience. His work draws on ancient Buryat song and sometimes they play authentic. Play Khomus Victor characteristic point rhythmic beats occupying language odnostrunny dry-Hur space melodic songs. Emotionally expressive property Tuvan khoomei allows him easily by stories of the epic move. But by far the headliner of the festival - a major group "Ene-Sai" Kyzyl. It was in 2001, established People's Artist of Russia Nadezhda Kuular. The group consists of highly khoomei stars and has many international and Russian awards. The traditional songs bilobate skillfully sound imitation, sophisticated melodies and almost jazzy improvisation sewn. Musicians never for a moment lost confidence strong first beat and harmonically combine low guttural vibration male voices with a nice strong voice Kuular Hope. Eric mentioned Saryglar, actor and musician Stanislav IRIL, Kara Cat Soyan and Sergey Ondar - each of them well-known masters. "Ene-Sai" has developed a recipe for a successful cooperation in a team of craftsmen. Sound "Ene-Sai" apparent from the opening bars, and the band is without a doubt one of the most popular stars of the Tuva concert scene. And has in the past on stage almost all the speakers this evening and ... course again ditty. The second festival "Kyzyl-Moscow" is over, and the festival promises to be an annual event. Inconvenient to repeat after envoys of the Dalai Lama, but these festivals really enrich our culture. Whether it is the authentic music, and it was to be a world of fashion. The main thing - loud chorus at the end of the song cast the spell "Hark!" And all true. Vadim Ponomarev, NEWSmusic.ru
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