"Ethnosphera" as a Russian jazz standard

Ethno-fusion project "Grunya" proved perfectly in the past festivals, now looked very bleak. Rejection of the pop element and focusing on jazz and folk song accompaniment, the project lost a lot. The song "Psaltery zvonchatye" of Belgorod and Kursk regions (yes, back to the south!) Worth a hot performance. In everything "Grunya ..." was Ethno-fusion project "Grunya" proved perfectly in the past festivals, now looked very bleak. Another ethno-jazz project "of space" within accordion, balalaika, bass, sax and free dancers (ie without shock!) Sang "Let the river, on the river." Excellent singing, except that drive but lacked the boldness of this "Upper Room". Jazz Trio Sergey Makeev asked the bathing songs, sung by Ivan Kupala. And in Belarusian. Turned fervently and melodic. Sun Sergei Starostin even suggested to think of new, Russian, jazz standards: "We want our Jazz played not only the usual standards, but also standards such as" Oh, cold, cold, "or" reed Shumel "For. the world has become a jazz standard "Genius of Russian balalaika Alex Arkhipovsky played bahoobraznuyu the cosmic spectacle, almost without their usual tricks. And then showed incredible technical virtuosity, almost "Flight of the Bumblebee", but his escape, the author. Brilliant performance Arkhipovskaya your fork around the festival "Ethnosphera." The genius of the Russian balalaika played Alex Arkhipovsky bahoobraznuyu the cosmic spectacle unclaimed surprise was the performance of "Zventa-Sventana". Tina Kuznetsova (responsible for jazz and electronic music) and Alena Romanova (in the amount of Russian folklore) initially said that the name of the group that it is from the Book of Daniel Andreev had taken "Rose of the World" where the divine monad, the strongest maternal love applies. Tina admitted that it "led by Sergei Starostin me on the right path." There were "eyebrows" (Smolensk region) and "give my mother" (Tula region), the last to join the group Sergey Klevensky. In the second part, after a long speech setting the audience heard the famous "Marimba Plus" in the amount of Jewish folklore. The track "Jerusalem" is a midi-marimba hefty size, large enough to have caused a lot of interest in many things, even after Sergei Starostin seen played. He did oglazhivaet and almost fumbled. Picture a hot eastern haze, muezzins, dancing in the squares - that's what "Jerusalem" sung "Marimba Plus". The second track, "On Golden Sands" showed excellent interaction flute, clarinet and tenor saxophone on the basis of traditional klezmer. In the second part, after a long speech setting the audience heard the famous "Marimba Plus" Start Prev 1 2 3 4 5 Continued End